Tenzen:
Captain of the Fifth Division, Kido Corps Commander, Grand Kido Chief, Oda Clan Lord, and Vizard.
Kyomu:
Captain of the Second Division, Stealth Force Supreme Commander, Mukuro Clan Lord, and Assassin.
For over one hundred years, since the dawning era of Commander Kagayaki, these two have cemented their reputation as the two most dangerous Captains within this generation of the Gotei Thirteen. Never before have they faced a foe below their rank which could hope to overcome their respective abilities. Every foe that Kyomu has faced in combat has succumbed to his deadly speed. Every opponent that Tenzen has fended off has been subdued by his overwhelming kido. Therefore, this battle has become a new experience for them, as now they face
Suiyo:
Drunken Bastard, and Sword Saint,
When they first laid eyes upon the man, they were quick to judgment, but reassured themselves to not underestimate the foe. However, whatever caution they claim to hold, is ultimately negated by the confidence they have in their abilities. When they perceived the mess of a man, they did not perceive their own deaths, as any other would. Defeat by such a bum was not an option in their mind, being so preoccupied with the exploits of each other. Victory over the drunk was not a possibility, but an assurance. The only variable in their mind was the level of inconvenience that they would have to face in order to achieve it. In turn, Suiyo had thought only to criticize their levels of swordsmanship, and instead admired the skill they both wielded in their individual mastercrafts. What he thinks now, of them, of the battle, of the future, is of course a mystery, perhaps even to him. As he seems to remain obscured in his veil of mist, utterly, and uncharacteristically, silent.
Moments earlier Tenzen had once again proven Suiyo correct. The Drunkard had assessed from sight alone that the Oda Captain’s level of Zanjutsu was predominantly focused around the usage of quick-draw technique, and that his preference for kido and hakuda meant that his zanjutsu only comes into play defensively. In an instinctual response to the lightning he has allowed to come towards him, Tenzen reaches for his blades. At this point, his hands should be gone, incapable of grasping that which he seeks. However, his strength of will is strong, seemingly able to hold himself together through pure determination for just a moment more. Even should he have been able to resist the cuts he faced, and instead opted for the second technique of his Petal Blade Series, he would still fail. Cemented in reality is the fact that Tenzen would never have been able to reach his blades. Even resisting the damage he has received, when his hands move to grasp the two swords that rest at his hip, he would find nothing at all. The very cuts that line his body, yet to explode in this moment of time, were not restricted to flesh, but the cloth he wears as well, slicing through the sash he wears. Feeling a lack of weight at his hip, when Tenzen completes his movement, reaching for his blades, he would instead find that they had ben severed from his side
* , and dropped harmlessly to the mist-covered ground, out of the Oda’s reach
*.
Suiyo had launched Tenzen’s own attack back at him, and the Oda had hoped to mimic the Drunk just as he had been mimicked. In an attempt to replicate Suiyo’s swordsmanship and negate his kido in the same manner, Tenzen finds damaged hands grasping empty air. Already having failed to prevent the lightning of the Kido from reaching him, he is equally unable to prevent it from damaging him. The explosion of yellow electricity and spiritual energy courses through the Captain’s body. Though his enhanced
durability would allow him to physically resist the explosive damage of the concentrated force, the heat of the blast would fill the man’s lungs and incinerate his luscious blonde hair. Further, his physical conditioning might help him resist the pain of electrocution, but it would not prevent the energy from surging through him. As such, his nervous, respiratory, and cardiovascular systems would all fry as the Kido Master’s own electric current courses relentlessly through his body. His heart would fail to beat, his blood incapable of flowing as well as retaining air. His lungs, equally off-synch from the electric current, would fail to pump, and even should they intake air they would only further inhale heat and flame, singing their already cripplingly burnt interior. Heart failure, lung failure, stagnant blood, all might be improved should the Oda use that willpower of his to perhaps force his body to function, or utilize his spiritual power to preserve himself. However, this too is rendered impossible, as the electricity in his brain has been obscured just as equally as his heart and lungs. If the man had not succumbed to unconsciousness, then his thoughts and senses would be completely disoriented, preventing him from even assessing his situation, let alone forming a plan. Even should he be able to gather himself at this moment, his nervous system is completely scrambled, his body systems and spiritual pathways rearranged. Regardless of the desire of his brain, any signal sent out would cause a random spasm at best, and would fail to assist him. All of this meaning, that the man’s heart and brain activity have stopped, and he lacks the ability to restart them.
Yet it would seem there is something deep within the Oda, something separate from the man known as Tenzen. Not requiring thought, nor physical summoning, what lay dormant within the Captain is nothing short of a monster. As crimson spews through the air, when the Captain’s catatonic body should be rendered into a bloody mist, instead this monster comes crawling to the surface. Releasing his mask, Tenzen postpones his fate for just one moment longer, just long enough for his worried family to cheer him on one last time. The damage done to Tenzen is a reality, like time it can be postponed but not forever. As such, the state the Vizard finds himself in now, is one of futile resistance. Having resisted with all of his might and ability, the cuts that should have evaporated Tenzen at this point, are instead rendered gashes.
The man’s entire demeanor turns red, spare the bone white of his mask, as blood covers every inch of his body and clothes. In the Captain's mind, he was able to resist five of over thousands of blades that struck him. Even should these cuts remain simple gashes, the Captain's fate is sealed. The rough length of a diamond is about a quarter of an inch, and its facets are the product of fifty seven cuts. This means that every quarter of an inch of Tenzen’s body has been cut fifty seven times, and at this moment remains a quarter of an inch deep. His fire-proof flesh falls from him in gemstone-shaped chunks, depriving him of skin, muscle, and bone. His skull, jaw, and nose, are not spared from being diced up, but are instead held together by his mask. This would not benefit his eyes, which were equally sliced deeply into diamond-like chunks, depriving him of his eyesight. Being so exposed, his ears too would fall from his head, while the arteries of his neck would equally be severed, continuously spraying his lifeblood into a mist in the air. Indeed, his arteries and tendons across his entire body would be severed to spare his torso and head. The ligaments in his fingers, the achilles tendon, the joints of his elbows, the arteries of his wrists all severed, depriving him of the movement he seeks. Further, the vertebrae along his back, which presses so close to the skin's surface, would also be carved into precious gemstones. This alone would paralyze the man, and yet it is but one side effect of many. As such, though donning his mask allowed him to postpone the inevitable, the resistance he held so much pride in would at this time turn a surgical cut into an utter butchery. A true monster, his hideous skull-like mask would contribute to his horrific appearance, covering the ragged blood-oozing flesh-deprived and crippled form of Tenzen Oda.
Yet again, despite being cut down by an underestimated opponent, facing humiliation at the hands of two lightning bolts, and now literally falling to pieces, the Hollowified monster still resists his fate. With one last push of hollowfied energy, the creature is able to propel itself, with no brain, heart, lung, or body function, burnt, bleeding out, and bald, to the edge of the arena. There, in its last life gasp, the creature forces itself, through burnt and broken lungs, to utter its final breath.
"White Death."
"White Death."
What the Soul Society sees on their various screens is enough to put a stop to all the cheering. The festivities of the games, the roaring energy of the crowd, are all put on hold, replaced with a gasp and then the permeation of silence. What they see is not the shining Captain the shinigami have rooted for, nor the Oda Lord the rukongai citizens have come to respect. What they see is a
Monster, in every sense of the word. Of all the souls that would have this terrifying image burnt into them, none would likely be more traumatized than that of Tenzen’s very own daughter. However, the horrific sight of her father’s fall from grace is not what would be so impactful, but what comes after.
With bated breath the spectators of the games watch this monstrosity utter with its last grasp of life a condemnation, no….an identification. For all of the Soul Society to see and hear, Tenzen identifies the stumbling drunk as the White Death. Placing a face to the name, there are hundreds, if not thousands, for whom this fight now makes sense. Yet before they can truly process what is happening, their screens turn red. Back on the battlefield, the fate Tenzen had postponed for so long finally catches up to him. The Captain had believed that his reiryoku and physical conditioning would be enough to mitigate the damage of the Sword Saint’s strike. This further provides evidence that for whatever strengths Tenzen has, he has never faced off against a true swordsman before.
Once again:
a blade should only be met with a blade. Tenzen had attempted to do so, by firing off five blades of his own, and had anticipated that this alone would be sufficient proof that his Reiryoku was strong enough to resist Zanjutsu. However, Tenzen’s reiryoku had
not countered Suiyo’s attack. Without addressing the impossibilities, at best, it was potentially the sharpness of his blades, not the strength of his reiryoku, that allowed him to counter a single particle of Suiyo’s blades. The very five particles which his blades come into perpendicular contact with. This means that the remainder of Suiyo’s blades, composed of Reishi
and wind, would flow around Tenzen’s own, and pass through him.
Once again, Suiyo’s strikes were so surgically precise, that they cut nothing at all, and came into contact with nothing at all. Rather, their edge was refined to the point that they could pass between individual particles of reishi. It is through this method that they were able to slice through the Commander’s densely compacted crystal. Composed of Reishi, the very nature of crystals is to have a geometric pattern that is so tight, that nothing can phase through, a molecular structure impossible to achieve with physical condition.Tenzen, in turn, hoped that his durability and the release of his reiryoku would serve to provide resistance against Suiyo’s blades. However there is no doubt that the Oda knew this wasn’t true. Otherwise no effort would have been made to counter the blades in the first place. Instead, what happened was that they passed between the conditioned cells of the Oda’s body, and through the gaps in his reiryoku, to sever through him cleanly. Yet through sheer force of will, and the aid of a Hollow’s mask, the man was able to resist just long enough to prevent his body from fully separating. That is…until now.
The Monster Monk’s hands and arms explode into a red mist, his legs too burst into blood and finely-cut chunks. What is left on the ground is a masked-head connected to a torso with no pelvis, deprived of all senses beyond touch, smell, and spiritual. The man turned monster has been rendered a puddle of blood and broken body, his guts had been pierced by Kyomu’s lightning, his brain, lungs, nervous system, and heart had all been halted by his own kido, his arteries tendons, flesh, muscle, and bone had been severed by Suiyo’s cuts. Every living thing within this abyssal prison had enacted its will upon Tenzen, and the results were graphic at best. In this state he is deprived of his zanpakuto, which had fallen to the ground and then been blasted aside by the force of the explosions that previously engulfed him. This means that the man cannot move, cannot sense, cannot speak. He is deprived of the ability to recite an incantation, deprived of the chance to utilize his zanpakuto’s shikai. It is possible that the resilient Oda can still push on somehow, still despite it all continue to fight, but in this state, at this cost, was it worth it? What is it that Tenzen Oda fights for?
Red lines would form along the Assassin’s arms, soon to explode into a red mist not unlike Tenzen’s own. This would occur not despite Kyomu’s movements and attack, but
due to them.
Kyomu Mukuro believes that he has devastated the arena. What Arena? They had been battling in an infinite void, with their only source of light being the random crystal spires that jaggedly jutted out from the ground
*. He believes that his assault works to dwindle the crystalline spires. What Spires? Every crystal tower within the battlefield had
already been carved into countless gemstones by Suiyo
*. Kyomu, like Tenzen, was inspired to copy Suiyo’s swordsmanship, and like Tenzen, it would pale in comparison. How could flattering mimicry ever outclass the original?
Instead, everytime Kyomu attempted to launch a cut in Suiyo’s direction, he would be surprised to see a cut launched from Suiyo already heading towards him. Somehow Suiyo was able to preemptively strike, utterly outpacing Kyomu for perhaps the first time in the Shunpo-master’s life. This was not done through shunpo, nor could Suiyo see the future, nor is it even clear at this moment if Suiyo can read Kyomu’s true movements or not. However, what Suiyo certainly is aware of is Kyomu’s reliance on speed. Kyomu’s response to Suiyo’s grid exposed his true location, as well as the intangibility of his cuts, early on. With the knowledge of the Mukuro’s speed and location, Suiyo was able to deduce where the Assassin had been, and from there was able to mentally recreate his movement patterns.
On top of this, Suiyo had launched hundreds of gemstones into the air like bullets, each trailing with an arc of electricity
*. These gemstones were not fired off randomly, but served to both interfere with the trajectory of Kyomu’s Anken, as well as limit his avenues for movement and lines of sight. Further, the gemstones obscured Suiyo’s own movement in addition to the steam that surrounds him, as they too were coated in Tenzen’s kido. What this means then, is that Suiyo was able to place Kyomu’s location, retrace his path, and limit his future courses of action. With this, coupled with the Mukuro’s already established desire for predictability, Suiyo was able to place Kyomu’s position and target before the Mukuro had even arrived, even with the Captain’s mastery for speed.
Everytime that Kyomu let out a slash, he was instead greeted with one of Suiyo’s own already traveling in his direction. Removing the possibility of action, even with the Shunpo Master’s speed, he would only be granted enough time to perform a single solidarity action. He could either abandon his cut and instead move out of the way, or allow his cut to turn tangible to deflect the incoming arc. For each cut that the Mukuro let travel along its path, he found himself receiving a red line across his body. By the end, the Muken floor is split into only five chunks, and Kyomu’s entire body is covered in red lines.
Suiyo however, anticipating the strike and preemptively counter-striking, was given ample time to move his body. Obscured by the mist, Kyomu would not be able to see how the drunk moved or behaved, nor would he be able to perceive when the drunk made a movement to slice or a movement to dodge. If he could, the Assassin would see that from every conceivable angle, at seemingly every perceivable moment, the Swordsman's stance was shifting and counterbalancing, his drunken stumbling placing him in the prime position to respond to a sword strike. This is a phenomenon perhaps
only perceptible to a shunpo master such as Kyomu, as anyone else who would look upon the drunk would see him standing still naturally. Only something capable of outpacing Kyomu’s blade is able to avoid the power of his intangible slice
*. Unfortunately for the Captain, and perhaps for the first time in his career, he faces an opponent capable of doing just that. While Suiyo lacks the knowledge of Shunpo, the basics of Zanjutsu have been ingrained into him to the point of thoughtlessness. His body is able to move at speeds comparable to Kyomu’s own, his blade strikes even faster than this. By preemptively striking, Suiyo was able to negate the time Kyomu could respond, even with unparalleled speed, while increasing his own time to do so. Essentially, he worked to bridge whatever gap may be between the two.
Having been freely given the time that Tenzen once fought so hard to prolong, Kyomu had a chance to anticipate his own death. Instead however, he believed so suredly in himself, that there was no doubt in his mind he remained uninjured. How accustomed the Captain had grown, to the idea that he was both imperceptible and untouchable. Unlike his blade however, Kyomu is not intangible. Having been so completely anticipated, Kyomu’s commitment to his actions would result in the solidification of Suiyo’s own. As such, standing on the outskirts of the battlefield, daydreaming about his division and fantasizing about his student, Kyomu’s own body would splatter into the same crimson mist that Tenzen’s had prior, or perhaps not. The damage would not be so excessive as it was with Tenzen, as the attacks launched at Kyomu were not so all-encompassing. Instead, the Assassin would have received a cut upon his arms and legs for every strike he decided to continue with. The extent of this damage could result in the complete disintegration of his limbs, if Kyomu’s own attack was as extensive as he intended, or, if he had chosen to focus on dodging, he may have received no cuts at all, yet delivered no damage in turn.
Following the Assassin’s assault, Suiyo’s mist would find itself on one of the five undamaged sections of floor. Since nothing has been done to stop its spread, it now encapsulates the majority of the battlefield. Ending just at Tenzen and Kyomu’s positions on the outskirts of the battlefield. Both of them had fled from the Swordsman known as the White Death, who remained firmly planted in the center, his condition unknown. Who could blame them for doing so? Until this point their confidence and ability had propelled them through every obstacle they have faced. It is only now, after each confronting the unknown variable that is Suiyo, that the duo of foes realize facing him head on is a farce. Space seems to be the way to go, when one is scared of close encounters, yet it would do little good, as once again: something such a distance is nothing to a true master. The broadcast however would struggle to focus on anyone but Kyomu and Tenzen, as what has been the battlefield thus far is now being shrouded in mist. Growing in its thickness, the broadcast would soon fail to film anything at all but the gray steam itself. The spectators in turn are left hanging on the edge of their seats, a cliffhanger happening at such an uncertain time. The current conditions of Tenzen, Kyomu, and Suiyo, remain a mystery to the onlookers, incapable of witnessing the battle. Now, they are free from prying eyes. Now, their true selves can fight without restraint.